![]() ![]() This model had three mini humbucker pickups and all-gold hardware. The Firebird VII was the premier guitar of the Firebird line, and it offered plenty of upgrades in terms of both tone and style. It came with the same color choices as the rest of the Firebird lineup. The Firebird V offered fancier aesthetics as well - the deluxe Vibrola was engraved, the rosewood fretboard featured trapezoid inlays, and the neck was single-bound. The adjustable Tune-O-Matic bridge was certainly an upgrade. It also came with two mini humbuckers, each of which had its own volume and tone controls. Firebird VĪt first glance, the Firebird V seems a lot like the Firebird III. The Firebird III came with the same color options as the Firebird I. The fretboard was single-bound with dot inlays. Each pickup had its own volume and tone control. It also had a vibrato tailpiece with a basic flat-arm Vibrola (Gibson’s name for its tremolo system). The slightly upgraded Firebird III came with two Firebird mini humbuckers. Those colors were offered, in part, to help Gibson compete with Fender’s flashy, modern array of finishes. ![]() The basic model was sunburst, but for an added $15, it came in 10 specialty colors. The fretboard had simple dot inlays and no binding.īut unlike many basic Gibson models, the Firebird I came in a variety of colors. It was relatively plain in terms of aesthetics, too. ![]() It was a stripped-down version of the design - it had only one pickup with a volume control and a tone control, and the bridge was a hardtail. The Firebird I was the most basic level of the instrument. Here’s a quick rundown of each Firebird level: The reason for using only odd numbers was that the line of Thunderbird basses was numbered with even Roman numerals. Gibson Guitar Serial Numbers, in this case, were marked with Roman numerals, with the lowest number being the least expensive model. Some players describe the tone as being in between that of a single-coil and a typical humbucker-equipped guitar. Overall, their sound offered a powerful presence with plenty of character. Firebirds had a biting midrange with plenty of treble zing. The Firebird pickups helped create the guitar’s signature tone. However, certain 1965 models had Gibson P-90s. Instead of relying on common pickup types, Firebirds were equipped with custom-wound Firebird humbuckers. The Firebird was a guitar with a truly unique tone, and much of that was due to the pickups. Instead of having names for each “level” of Firebird (like the Junior/Special/Standard/Custom designations for the Les Paul), Gibson numbered the Firebirds. The Firebird came in several incarnations. ![]()
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